Observations on the morning
SUV dance
By Kevin Potvin
In the street where I walk my son to school, I’ve noticed
an interesting and previously unreported "tribal
supremacy" dance. Other amateur anthropologists may find
in my observations comparisons to their own studies of
primates and lower animals.
The field of action is what is essentially a one-lane
street due to parked cars on both sides. In this long, narrow
field, SUVs as big as houses and fleets of minivans square off
and engage in a primitive symphony of movements. A map showing
the patterns would be useful.
Virtually anywhere within the field, the vehicles disgorge
children, who emerge into a sea of steel battering rams. They
weave and swarm to the safety of the school yard while the
engines of the impatient contestants rumble and rev, readying
for the charge. If my son and I aren’t timely, we’ll come
to the street we need to cross too late, which means we have
to enter the field of action at great risk.
The minivans and SUVs cluster together as if to smell each
other’s exhaust and size up each other’s determination. In
the opening arrangement, sides are taken according to the
direction the vehicle is initially pointed: east or west. Even
while some children are still amidst the bumpers and tires,
the jerking forward and back motions begin. First backing up,
they’ll steer erratically, then charge ahead, challenging
their opponent to back up in turn. Sometimes a combatant will
abandon the minivan or SUV in the middle of the road and jog—with
a smile—into the school. Even the lightesttouching
immediately brings the dance to a halt, whereupon the drivers
emerge and closely note the place their vehicles touched. They
caress them, talk about exactly what happened and note
surrounding circumstances. Authorities are often called to
make more precise measurements and records, which become
cultural artifacts examined by people in offices perhaps for
months afterward.
Eventually, the contestants exhaust themselves and somehow
disentangle to return to their driveways, usually only two or
three blocks away. It only takes one day to recharge their
enthusiasm, however. The next morning, the same contestants
reappear in the field, this time in some slightly altered
opening arrangement, and the jerking, the honking, the rage
and the erratic backing begins over again.
Many more turn out to the dance when it rains, and the
behaviour is notably more confrontational. Additionally,
headlights become an important part of the communication
repertoire. The vehicles flash their lights at each other in
intricate patterns—on and off, highbeam to lowbeam and back
again, for instance—that may suggest to lay-observers a
rudimentary language.
On occasions, when drivers of two vehicles engaged in
heated near-touching recognize each other as
"friends," they will immediately tame their
vehicles. They’ll even arrange for safe passage for their
opponent, often battling over whose offer to pass safely
should be accepted first. When they do pass, the drivers will
put down their windows and say "Sorry" and smile, or
even stop to engage in conversation.
This enrages other drivers. This early signal of abandoned
hostilities between the camps can bring on a great chorus of
honking to show grave displeasure. It is seen, perhaps, as a
sign of weakness. Alternatively, it could signal to others in
the east-moving or west-moving camp that a defection has
occurred.
Other vehicles park on the streets leading off the school’s
main street, out of the field of action. Occasionally,
however, stirred by the honking perhaps, or inspired by the
jerking movements, these others will jump into the dance,
lending support to one or another of the camps.
The dance can be observed every morning outside all schools
in the city. However, bring your field journals and binoculars
early. The dance usually lasts only five or so minutes before
the field of action returns to a normal and quiet street.
Unless, of course, there’s been some illicit touching.
Then, if you approach carefully, you may be allowed to examine
the place they touched, or even—if you’re lucky—to
caress it. However, an important rule to observe is that the
driver of the touched vehicle must always caress it first.
Also, you may not caress the vehicle anywhere other than
the place it was touched, and you may not caress other
vehicles, even on places where they have been touched in
previous dances.